About J.S. Holmes Fine Violins

Thank you for visiting my website. I felt it was important to provide some information about myself and J.S. Holmes Fine Violins should you be considering working with me.

My relationship with the violin started at age 8, when I began my musical studies. Later, I developed interests in woodworking and sculpture, but the violin remained an important part of my life and livelihood. Visits to violinmakers were a fascination for me, and eventually it occurred to me that making and restoring the instruments embodied aspects of many of my interests, so I decided to pursue training in the craft.

Jeffrey HolmesI attended the Chicago School of Violin Making where I studied with Tschu Ho Lee. Assisting conservator Dudley Greeley of Evanston and violinmaker Marilyn Wallin in her Wilmette shop enhanced my experience in school. After graduation I took a position with Shar Fine Instruments in Ann Arbor assisting David Burgess in making new instruments and performing restorations.

A few years later, I was asked to manage Shar's old instrument division. My stay with the company was 17 years in total, the last eight as Vice President of Shar Fine Instruments. My responsibilities included company and client acquisitions, sales, restorations, and appraisals as well as administration.

My position with the firm allowed me the opportunity to work and consult directly with many fine makers and restorers including Anton Smith, Mark Norfleet, and Oliver Radke. During those years, the exposure to great players and many fine instruments and bows, as well as the planning and execution of complex restorations, was invaluable.

J.S. Holmes workshop In May of 2003, I took my leave to work in my own studio where I offer restoration, appraisal, expertise, new making and sales of old and contemporary instruments and bows. The skills I developed within the larger firm allow me the unique ability to offer high-level services on a personal level, within a small business environment. My business philosophy is a simple one. I believe that, working in a responsible manner, it is possible to help a musician to achieve his or her objectives with the integrity of all intact, whether planning a restoration or during the acquisition of the instrument.

I am a member of the Appraisers Association of America, presently serve on the board of directors of the Chicago School of Violin Making, and served on the board of the Violin Society of America from 2000 to 2008.

If you are considering working with me, I invite you to contact me by phone or e-mail should you wish further information and/or references. I look forward to hearing from you.

Related Links